![]() Therefore, they are characterized by the same intervals as in the maqam.Įxposure to western musical culture has induced major modifications on popular Arab music. Furthermore, melodic progressions in Arab music are normally successive and stepwise in nature Scott Lloyd. These intervals include multiples of semitones, as well as quarter tones and microtones (intervals smaller than quarter tones), such as in the Rast, Bayat, Sikah, Saba, SikahBaladi maqamat. The maqamat (plural of “maqam”) consist of a great variety of intervals between adjacent notes, ,,. Arab music is also based on a scale system called “maqam”. ![]() ![]() Western music is based on scales and modes consisting of 7 tones separated by intervals which are multiplications of semitones. ![]() In contrast, in Arab music (excluding Northern African music), the tones forming the musical language result from dividing the octave into 24 quarter tones. In Western music, for example, the octave is divided into 12 intervals (termed semitones). From this nucleus, melodies and harmonies are constructed. The resulting tones are the nucleus of the musical culture. One of the central identifiers of musical cultures is the method according to which the octave is divided into smaller intervals. Ethnic musical styles may vary in many parameters, such as rhythmic patterns and characteristic timbre (i.e., musical instruments and their typical combinations). ![]()
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